Choose the material
Build a board from one shooting draft or combine scripts and episodes that will shoot together.
Film production scheduling
Turn broken-down scenes into shoot days, compare the needs of each setup, and keep cast, sets, page count, timings, and department requirements visible while the board changes.
Schedule one script or several episodes, mark working and non-working days, watch for availability conflicts, and carry the locked day into breakdown reports, sides, and call sheets.
From breakdown to shooting order
Select the scripts or episodes for the schedule and bring their scene strips onto one board. The scene number, slugline, INT/EXT, day/night, set, one-liner, page count, cast, breakdown elements, and shot list remain tied to the strip.
Build a board from one shooting draft or combine scripts and episodes that will shoot together.
Drag scenes into shooting order, place EODs, and use banners for moves, units, notes, or production events.
Review pages, timings, cast, sets, availability warnings, and department requirements before holding the order.
Print the stripboard, breakdowns, or DOOD and use the scheduled day for sides and call sheets.
The AD's working board
Move quickly on the board without losing the details that determine whether a day is workable.
Move one strip or a selected group into shooting order and rearrange the board as production conditions change.
Insert End Of Day strips to establish shoot days, dates, and the page count carried by each day.
Add colored banners for company moves, meal notes, units, travel, rehearsals, or any event the board needs to show.
Keep scenes off the active shooting order without losing them, then return them to the board when they are ready to place.
Sort ascending or descending by scene number, set, day/night, or INT/EXT, with more than one sorting condition.
Correct INT/EXT, day/night, set, one-liner, length, and estimated duration directly on the working board.
Enter scene durations and read the scheduled time as the day builds, alongside screenplay page counts.
Flag conflicts when cast, background, vehicles, props, costume, animals, or other required elements are unavailable.
Open the scene breakdown, department elements, screenplay scene, or planned coverage without leaving the stripboard.
Show a full production strip or a compact line, with optional warnings, cast IDs, timings, breakdown, and shot-list controls.
Step backward or forward through local board changes while trying a new shooting order.
Keep alternate boards, identify the current schedule, and assign its production color while versions are being compared.
Production calendar
Establish prep start, first day of principal photography, and wrap. Mark weekly off days and individual holidays so the calendar advances shoot days around the production's actual working pattern.
Three production views
Each view answers a different production question while staying tied to the current shooting schedule.
Read shooting order, strip colors, page count, timings, cast IDs, scene requirements, banners, and EODs in the format used to build the schedule.
See shoot days and pages across the calendar, then filter the month by scene or by a selected production element.
Read start, work, finish, hold, idle, rehearsal, and travel markings with work, hold, travel, and total-day counts.
Departmental day-out-of-days
Build a DOOD for the selected department and add hold, idle, rehearsal, or travel days where the shooting order alone does not tell the whole story.
Production reports
Prepare a stripboard, scene or shoot-day breakdown, or DOOD. Narrow reports to a script, episode, scene, shoot day, department category, or production tag before they go into the binder or department meeting.
From stripboard to set
Scenes do not need to be re-entered when they move from the schedule into daily production paperwork.
Bring scene strips, cast, sets, page counts, and department requirements from the breakdown onto the board.
Open the planned coverage for a scheduled scene while judging how much work belongs in the day.
Pull the screenplay pages for the scenes selected on a shoot day.
Start the day's call sheet from its scheduled scenes, cast, locations, and production date.
Production scheduling FAQ
Yes. Select multiple scripts or episodes and schedule their scene strips together on one production board.
Yes. Create more than one schedule, identify the current board, and use schedule colors to distinguish versions.
Scene and episode number, INT/EXT, day/night, set, one-liner, pages, cast IDs, timing, warnings, breakdown elements, and shot-list access.
Set recurring weekly off days and individual holidays in the production calendar alongside prep, photography, and wrap dates.
Yes. Strip warnings identify required cast or department elements that are marked unavailable on the scheduled date.
Print stripboards, scene or shoot-day breakdowns, and departmental day-out-of-days with category, tag, day, scene, and paper controls.
Lay out the strips, test the work, mark the calendar, and give every department a shooting plan grounded in the breakdown.
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